Sunday, March 13, 2011

Stories From the City, Stories From the Sea



http://farm3.static.flickr.com/2365/2093218682_3a7285bd49.jpg
PJ Harvey, April 15, 2001 at the Rose Garden.









April 15, 2001. Easter Sunday. MY FIRST ROCK CONCERT! My first trip on the MAX. What a great night. PJ Harvey opened for U2. Bono sang "I Remember You," dedicated to Joey Ramone, who had just passed away earlier in the day.
*     *     *

PJ Harvey, glorious music goddess. If I had to narrow it down to one artist/band to love and listen to for the rest of my life, it would be her. But I've got to set the stage for my completest obsession and total admiration for this artist.

One of the great things that I've discovered about getting older, is my increasing ability to ask questions. Sometimes those questions are "why?" or "why not?" (Thanks, Yoko! Check out these two fantastic Plastic Ono Band songs if you like Experimental/Punk music!). Questions that began to plague me during my freshman year in college: 

Why don't I have any female musicians I can fully identify with?
I'm just not a big pop/folk fan. These genres contain the most easily accessible female artists in our culture. I hear tell there's some sexism in the music industry...and I'm not going to spend time talking about it, because the person who can't see it is missing their eyeballs.

Asking this question helped me see sexism for what it is-- not just in music, but everywhere.

Where can I find out about female musicians?
DIY at its best. Headed my little lonesome down to Powell's on Burnside, of course. I owe these two gems for giving me history and leads. I owe Napster for letting me sample before spending my dough.

http://ecx.images-amazon.com/images/I/61muTluTB0L.jpg
I LOVE this book cover.


http://ecx.images-amazon.com/images/I/51QQ3GR6PRL._SL500_AA300_.jpg
O'Brien is an awesome writer.


Who is speaking for me about my experience as a woman in this world?
A man sure can't. This question sent me running on my marathon of musical discovery. I'm still going! I'm still discovering!

So where does PJ enter into things? 

Maybe I will bring an imaginary child into this story. I will name her "imaginary daughter", or Id. ;)

My daughter, Id, when young girls become young women, they find that there is a fire that burns within them. For many, they turn the fire against themselves, and burn all the things that the world does not like. If this were so, you might see a woman who has strong feelings become a woman who tears down other women that have strong feelings. A woman who will fawn and preen in order to impress, and never ask herself what she feels or thinks in her hidden heart. She will burn herself forever, like a lump of coal in hell. For other girls, they turn the fire outward, they are filled with anger that the world does not like who they are. Sometimes the currents of the world turn the fire back on its owner, and she must let the fire roar even larger to make a space within her for the new growth of her person-hood.

Your mother was a violent young woman; she was meek and quiet, and had her nose stuck in a book most of the time, but when she was on the basketball court, even the 6'4" girls had a tough time making a lay-up. 

Your mother's anger made room for her to learn to speak with the voice she lost when she was a teenager.

I hope she will nod sagaciously.

My corps of discovery grew as I explored. Jeff Buckley walked me to a parking meter where I met Patti Smith, Nico sat with me in a smoky den (she did not offer me drugs!), Tori held my hand, Bjork invited me to belt out songs with her, and many other women told me their stories. PJ Harvey awaited me ahead.

I met her at the Rose Garden Arena, my first real rock concert. After a day on Burnside, a hitch on the MAX from 2nd Street and over the river, I was vibrating in anticipation of seeing U2. My friend and I handed our tickets to the dark-haired ticket dude, and wandered into the coliseum where we could hear the opening band already playing. After gawking at the U2 paraphernalia (some "after" pics can be seen on my FB) we wandered up to the nosebleed section where our seats were located. I could practically reach up and touch the ceiling.

A song has finished, and another is beginning. I look to the stage.

There she is, in her glittering miniskirt, her shiny stiletto boots, an iridescent v-neck top, and a guitar that might be bigger than her. Her voice sinks me into my seat. She owns my attention while people all around me chatter as though the ground has not moved from under us, as though she is not throwing sonic arrows deep into our hearts. I remember thinking, "What is wrong with these people? How can we do anything but listen?" And for the first time someone is speaking to me on a primal level that totally connects, that brings forth the visceral feelings of violence, passion, desperation, tenderness into one cohesive force that fills me to brim over.

This is the song I heard. (This live version is from later in 2001, and she's wearing the same boots/skirt from when I saw her.)




I remember her voice, the songs she sang even though I'd never heard them before. I was beguiled by her high notes, her growls, her ferocious intensity. And yet, she had the power to be vulnerable, too, and emotionally honest.




 
PJ doesn't play the audience on sex appeal-- her appeal is a by-product of her confidence, of her musical conviction. She is PJ Harvey on no one else's terms. She does not waste time addressing her songs to the male gaze, as most female pop-stars do. Her songs and videos on this album really capture her gaze.

I bought the promo video for "This is Love" on ebay and watched it more times than I can count. This is a woman who is totally comfortable with herself and performing and singing on her own terms. I can't get enough. (I regret to inform you that the following video is cut off at the end, which reduces its awesomeness, but it's the best I could find on the web.)




One of the many appeals of PJ Harvey is that she is a woman who dares you to look her in the eyes. She doesn't blink.

I love her for this.

I love that her music cuts to the bone, that it can be menacing in it's naked honesty, that it can express joy and the exhilarating feeling of what it means to be alive or in love.

Her music helps me connect to what it means to be me in all shades of expression and experience, without judgment.

PJ Harvey changed my life.


*     *      *
 
Finally, here is a song-- from the year I fell in love with Ryan-- that means a lot to me.







Another picture of my favorite woman, from the fateful night of April 15, 2001.

http://farm3.static.flickr.com/2218/2092439757_176f0de25c.jpg

Sunday, March 6, 2011

"To Sheila"- Letting Go

Dorm room, twin bed, blinds drawn.


I've programmed my stereo to turn on an hour before my first class; it'll begin playing-- with a fade-in-- whatever CD is in the the player. I've recently purchased Adore, by the Smashing Pumpkins, but never listened to it.


"To Sheila" snakes through my subconscious before I'm even aware I'm waking up. I've never felt so alert in my life. Every particle of my being is leaning into the song, and I'm laying flat on my back with my covers pulled up to my chin.

The moment feels holy, consecrated. Every nuance of this song is perfect, from the delicate piano strokes, the sound of the drum machine, to the glorious banjo.

Go ahead, close your eyes. Listen.

(PS couldn't find the song w/out this visual)



(Complete lyrics at bottom of page)

There's a lot going on in this song...and heads-up, I'm about to go all English-majory on you.

While reading through the lyrics on songmeanings.net, I saw that a lot of folks think "To Sheila" is about losing faith, or giving up on someone. After my first encounter with the song, I find that impossible to believe. I think the real heart of this song is about the nature of being human, having to let go of a sense of control, let go of someone loved. It is also about finding grace and freedom in acknowledging our inability to stand alone and our need for connection with others, with the divine.

The sounds of the instruments on this song (including Corgan's voice) remind me of the the first few lines of the song, what the sunset feels like after a long, scorching day.

"Twilight fades
Through blistered Avalon
The sky's cruel torch
On aching autobahn"

The music speaks with a gentleness that seems to contrast the difficult and disconcerting images presented in the lyrics. When the physical is tied to the eternal, "blistered Avalon", the machine contrasted and connected with the body, it is in images of pain or degradation.

"Sheila rides on crashing nightingale
Intake eyes leave passing vapor trails
With blushing brilliance alive" 

(In this context it seems fitting to combine real instruments with "fake" ones, like the drum machine that enters the song during this stanza.)  The singer is conscious of a link between eternity while trapped in a physical experience. The desire to step into the mysterious, the holy, and a fear of what we are without our bodies, our "selves", becomes apparent.

"Into the uncertain divine
We scream into the last divide"

But there is a turn in the song that hinges on the words "faith" and "grace", that takes the listener to a different destination than death. It allows the uncertain, the scream, to become a light, a journey home.

The first stanza of the song:
"Twilight fades
Through blistered Avalon
The sky's cruel torch
On aching autobahn"

The first stanza transformed:

"A summer storm graces all of me
Highway warm sing silent poetry
I could bring you the light
And take you home into the night"

How does that happen? How does the "aching autobahn" begin to "sing silent poetry"? This stanza stands between the two.

"Lately I just can't seem to believe
Discard my friends to change the scenery
It meant the world to hold a bruising faith
But now it's just a matter of grace"

Faith is generated by a human; in this case it's "bruising," a faith that would cause the singer to break friendships, sacrifice the world, fear death. When this faith is relinquished in favor of grace ("the free and unmerited favor of God"- thank you, Webster's), the singer is free to experience a summer storm as gracing in contrast to viewing twilight after a hot day as an "aching", a negative. There is a light shining into the uncertain, the divide is no longer scary, the divide is a destination, a home.

"You make me real
You make me real
Strong as I feel
You make me real"

It takes an outside force, it takes grace, to experience life truly and fully, to be "real". It takes letting go.

The final guitar chord rings on past the careful plucking of the banjo, past the gentle brushes of the drum machine, the other instruments fade, and the singer is like the final notes, unresolved, moving forward into eternity.



*     *     *



To Sheila

Twilight fades
Through blistered Avalon
The sky's cruel torch
On aching autobahn
Into the uncertain divine
We scream into the last divide

You make me real
You make me real
Strong as I feel
You make me real

Sheila rides on crashing nightingale
Intake eyes leave passing vapor trails
With blushing brilliance alive
Because it's time to arrive

You make me real
You make me real
Strong as I feel
You make me real

Lately I just can't seem to believe
Discard my friends to change the scenery
It meant the world to hold a bruising faith
But now it's just a matter of grace

A summer storm graces all of me
Highway warm sing silent poetry
I could bring you the light
And take you home into the night

You make me real
Lately I just can't seem to believe
You make me real
Discard my friends to change the scenery
Strong as I feel
It meant the world to hold a bruising faith
You make me real
But now it's just a matter of grace

Tuesday, March 1, 2011

Suburban War: All My Friends, I Love You

I've spent a lot of time in the last few weeks thinking about when I was younger. Music has been my pathway to writing about times I haven't allowed myself to visit much because there's pain inherent in craning my neck to look backwards. I finally got out all my old pictures (as you can see on Facebook!) and looked at them with smiles, and not absolute sadness. I find myself owing The Joshua Tree and Grace all over again (and a few other things that I think I'll finally be able to write about after this post). 

I'm a fairly reflective person, but the reality is that when I look at the past I focus on my mistakes, so my desire is to look ahead, plan how to avoid future errors when I should be examining the things in my past that were good and right.

"You said the past won’t rest
Until we jump the fence and leave it behind"

I find that I've lost people along the way to the present, lost their names, lost their faces, lost my connection like a fuzzy radio signal. Looking at these pictures, I think, "why didn't I spend more time getting to know these beautiful people?" I discover that I've dug a big old hole in the back yard of my heart and buried the bones of memories, but now they're more present, more welcome than ever.

What footsteps did I take in the dark that I can finally look my memories in the eyes again?

"They keep erasing all the streets we grew up in."

"Suburban War" has been traveling with me, recalling to me things I felt when I returned home from Lewis & Clark after my freshman year. Things I feel now.

"With my old friends I can remember when
You cut your hair, I never saw you again
Now the cities we live in could be distant stars
And I search for you in every passing car"






Today I remembered an (unfinished) poem from 2001 that parallels aspects of "Suburban War".



Living in Two Places

 

I guess the weirdest thing
Is always seeing faces
From the city I’m not in
On the bodies of strangers,
Phantoms of relation.
Location is a trench
Dug right through the middle of me;
Shadows of shapes pour down my concave skin
Like rainwater gathering in a pool of reflection
Slick-bottomed, still,
In the heart of me.


I was thinking that maybe this feeling is regret for things left undone, but it isn't so. This feeling is not regret, it is love, it is space and time separating us from each other. Do you feel it, too?


"All my old friends they don’t know me now
All my old friends are staring through me now
All my old friends they don’t know me now
All my old friends they don’t know me now
They don’t know me now
All my old friends, wait…"


Maybe we all just want to say, "Friend, I miss you.

I love you.



I'm looking for you everywhere I go. Will I have the courage to reach out to you when I see you again?"